A novel idea

Writing a fantasy novel on-line, from first draft to final version


How the critque group is changing my writing

Tuesday, 20 May 2008 by CabSav

The critique group I joined is changing the way I write my novel.

More story, less spontaneity

I am forced to plan out the story more. This is good in that I have a more solid idea of the world, who the people are, and what made them that way earlier than I would normally. It is bad in that as a result my writing is not so spontaneous. It’s no longer a journey of discovery, I’m working to an outline and it’s starting to feel like work.  (I’m a technical writer by day and I do outline for this.)

I’m writing to a different audience

I have always written to an audience—Calder and myself—but now I’m starting to consider what my critique group wants as well.

If I’m not careful the story will go in a direction I hadn’t planned. I know what the group likes by now; I know that the next part of the story won’t suit them at all. There is a real possibility that I will take the story in a different direction because of this.

That could be good, it could be bad, but right now it’s uncomfortable, like someone is hijacking my story.

Best value is from continuity crits

The best critiquing I get from the other members is comments about continuity.

For example, I have two characters looking at a dead body. Two paragraphs later, one of them removes the sheet that covers her. But they were already looking at her.

Another example. The protagonist is seated, working, when a young girl comes in and tells him he is needed at the hospital. Next thing we know, the girl is skipping to catch up with his longer legs—however, he never moved from his seat.

Minor details, but very important. We may have caught them in the last draft, but sometimes we don’t. So far, this is where the value of the writer’s group is coming into it’s own.

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© 2006-2010: Infinite Diversity

Posted in Writing general, Writing group | Comments Off

What your characters eat on their epic journey in your novel

Thursday, 8 May 2008 by CabSav

I love reading about the practicalities in writing fantasy, like how far horses can really travel in a day.

Gillian Polack has done a similar thing with food in her guest blog Food is Just Fantasy Without Substance over at Voyager Online. Gillian talks about carrying pots and pans, and what travellers might eat along the way. Interesting stuff.

I know that even when I pack food for a long car trip how tedious it is and how much extra planning is involved. I do a 500km round trip roughly once a month to see my mother, who lives in the country. I love to take my own food, but the effort it requires to prepare and pack, and then remember to wash everything when you get home adds considerable time to the trip. Many times I just can’t be bothered, and buy food on the way.

After she talks about packing and cooking on the road, Gillian goes on to mention stews at those deserted way-out inns that our travellers always seem to land at, and how it just won’t happen. And I agree with everything she says. 

Notwithstanding that, the poor old stew gets a pretty rough run in fantasy novels. It is generally considered capital ‘B’ Bad, and the sign of an absolute novice if you make your characters eat stew.

Is it really so bad?

I think of what I feed people here when I have a house full of visitors, and it’s generally some form of pot meal that I can cook up and serve out as required, particularly if people aren’t all eating at the same time. Stew is good, or pasta with a sauce I can leave heating on the stove.

So in a busy inn where lots of people drop in for food at various times, stews could be appropriate. They’re quick, because they’re keeping warm by the side of the stove. They’re easy, because there’s no extra cooking required, all you have to do is serve it onto a plate. They’re convenient, because you can cook them early before the crowds of drinkers arrive from their long journeys looking for beds.

So yes, the humble stew is not a good traveller, although you can use it under certain circumstances. Meantime, I might pop over to Gillian’s site and ask for that cubed soup she mentioned. It sounds fun. Like an old fashioned stock cube.

And for our next fantasy when the characters do a journey—they’re taking a frying pan, a billy and a (not very big) bag of flour.

© 2006-2010: Infinite Diversity

Posted in Writing general | No Comments »